WW1 Centenary 100 Leaves Series
WW1 Centenary 100 Leaves Series
5 years in the making, 2018 saw the final 100 leaves print finished.
WW1 Centenary 100 Leaves Series
5 years in the making, 2018 saw the final 100 leaves print finished.
Autumn Oak Leaf – Cannon Hall
Created using over 1000 ceramic oak leaves made at public making sessions, schools workshops and college students.
Workshops and shared experiences
I get so much out of the workshops and sessions I lead and learn so much from the creativity of others. Had so many great experiences over the year, here’s a few pictures from just some of the lovely people I’ve worked with.
Selection of recent works
Its been a while since I updated with any new work so here goes.
My working code of practice –
Hi all, a few things about me and my working practice. I am very conscious of the environment around me and take into consideration many things when deciding to make a piece of work. This code that I work to now has developed over time as my understanding of my surroundings grows. It wasn’t always the case, but it is now.
1. I don’t take stones away from their habitat.
2. If working in a popular resort, that welcomes and relies on tourism, I have no issues of moving stones around on a beach, they move 2 twice a day with the tide anyway. Where possible I collect stones from gathered piles, so not partially buried stones if I can avoid it.
3. If I plan to work in a more sensitive site, I check. For example, last week I went to Spurn Point a nature reserve. I contacted them first to firstly see if they objected, and secondly asked about any considerations. I took on board that advice. They were though, very keen that I went there to work.
4. In woodlands, If you look at my work, you’ll see that the majority (90% ish) is created directly on existing paths. I don’t want to go trampling flora in the pursuit of making work. The majority of the 10% that is off path, is created in public parks.
5. I don’t (I have in the past) work in flowing water. Its a personal thing, but I can see the impact on displacement in this situation and don’t particularly see the benefit in me doing so.
6. I don’t over populate environments with loads of installations. I make a piece of work, which often when finished, will last no longer than a couple of hours (often less).
I sure my code will develop further over time, but that is how I go about things now.
J xx
Prints for sale –
I have a limited number of prints of some of my work for sale –
A4 image with a 12 x 16inch mount – £20 (£24 with uk postage)
7 x 5 image within a 8 x 10inch mount – £10 (£13 with UK postage)
Winter 2017 –
Autumn in to winter is always an interesting time, I never want the colour to slip away and wonder where the inspiration to create will come from.
Autumn Leaves:
Temporary works made using fallen leaves in 2017.
Majority of creations made in Anston Stones Woods near Sheffield.
Recent work –
A selection of recent work, which has included some of the usual creative responses to an environment along with the development of the more considered globe series, hope you like.
Winter Works –
Always find the change from Autumn to Winter a tricky period in terms of my creativity, but heres a selection of what I’ve been inspire to make.